Ugram movie in hindi full hd 1080p,720p,480p

 UGRAM movie in hindi full hd 1080p,720p,480p

                                                                                                                                                                                                                                                         

                                                                                                                                                                                                                                                                                                                                                         Allari Naresh teamed up with Naandhi director Vijay Kanakamedala for a police story involving a treason mystery. Given the successful combination and never-seen-before portrayal of Naresh in the promos, Ugram managed to make decent noise. The mucosa is backed by a noted production house (Shine Screens) which enhanced the film’s scale. Will Naresh and Vijay repeat their Naandhi magic? Will they unhook for the second time? Let’s find out. Shiva (Naresh), an honest police officer, gets injured in an accident. Since then his wife Aparna (Mirnaa Menon) and 5-year-old daughter Lucky (Ooha) have gone missing. Shiva, who is yet to recover from his trauma and moreover charged in a murder case, finds out that his wife and daughter’s disappearance is linked to serial missing cases. How Shiva resolves the mystery and punishes the people overdue it forms the crux of the story. Allari Naresh is not new to cop roles. He did Kithakithalu and Blade Babji. Whilst those were spectacle films, Naresh turned wrestling and unwary with Ugram. This is a variegated role for him and he did his part well. Mirnaa Menon is alright. She has limited scope. Kid Ooha shines in her part. Her cute dialogues and expressions serve the purpose. Indraja’s role is not inveigling enough. Actor Shatru is seen as SI Victor. His weft as trusted deputy to Naresh works. The villain role deserves to be increasingly effective. All other notations have less significance and come and vanish. Ugram has a wafer-thin plot. It is compensated by the intensity and emotion that support the plot. Director Vijay plays to his strength. The non-linear screenplay worked well in narrating the story. It is music composer Sri Charan Pakala who made the difference with the preliminary score. The placement of songs is not inveigling though. Camera work stands out. Editing is fine. The problem of Ugram is its narrow and thin plot that demands increasingly from its writing. The scenes involving husband-wife and father-daughter have Deja Vu. Considering that cop stories are done-to-death, it is challenging to weave a variegated and unique story against this backdrop. Also, it is not easy to meet the expectations. This is where writing plays a major role. And here in Ugram it underscores. The non-linear screenplay has a whet and it works well when used aptly. Veering off to the main plot, the mucosa revolves virtually the personal problem of the police inspector Shiva and his personal loss. The mucosa begins with a crucial sequence that sets the wiring for the story. The mismatch has been opened up without any wait which is a good idea. Naandhi director Vijay Kanakamedala sticks to the story he has chosen without any deviations. He played to his strength and portrayed Naresh as a ferocious and powerful cop. This is where the duo scored the points. The mucosa is loaded with action. There is gore everywhere. Intense performances in the mucosa do work. While the hostel scene sets up the wiring for the mucosa and shows how it affects Shiva’s personal life, it is moreover key for the second half. The first half and the second half have less connection. The only worldwide thread that connects is the protagonist and his missing wife, daughter. The second half throws up new notation with unexpected motives. The emotional disconnect is what works versus Ugram. The protagonist’s pain is not heart-touching. The mucosa moreover feels lengthy and stretched out in portions. This is owing to weak scenes. The story is predictable and the viewers can guess what happens next. The second half has no major twists. The Hijra while the missing point is conceived well. The whoopee scenes are shot well. This is where the film’s production and scale are visible. The protagonist and oppugnant sequence need the largest writing. It is not realistic when the villain's hands fall into the trap of the protagonist. The unshortened villain portion is weak. Moreover, his motive overdue the treason is not inveigling enough. The cinematic liberties are evident. Had Ugram had the largest villain with an interesting motive and well-written twists, it would have made a huge difference. Since it could not, it settles lanugo as a stereotype watch. Overall, Ugram is the kind of mucosa that may work when watched without any expectations. But it disappoints those who expect increasingly from the Naandhi combo.

Cast - Allari Naresh, Mirnaa Menon, Indraja and others

Director - Vijay Kanakamedala

Producer - Sahu Garapati & Harish Peddi

Banner - Shine Screens

Music - Sri Charan Pakala